When asked if he and Dime were “into each other’s gear” and whether they had “different philosophies on the instruments you played,” Dave responded:
“I did not. He may have, because he was a better guitar player than I am, and he was much more into that stuff.
“Being a bandleader/guitar player/rhythm player/lead player/blah blah blah, I don’t have the availability to spend as much time working on my solos as I’d like to. But I’m also very satiated with what I’ve done with my career.
“And with Darrell, when you look at his playing, he’s a monster. He’s one of those guys that in trios, with the bottom dropping out, he was really able to keep that going.
“Of course, on the studio releases, there was an additional track going, but live, that’s the real litmus test, right? And he was a spectacle to watch.
“I actually called him up and asked him to play in Megadeth. Fate would have completely changed if I would have called him before I called Nick Menza. I said, ‘Hey, Darrell, I’m looking for a guitar player.’
“And he goes, ‘Can I bring my brother?’ And I went, ‘Who’s your brother?’ He goes, ‘Vinnie Paul! Don’t you know Vinnie Paul?’ He wanted to bring his brother and have him play with us, and I go, ‘Oh, man, I just hired Nick Menza.’
“Can you imagine what Vinnie and Darrell would have been with me and Junior [David Ellefson]? Would’ve been pretty cool.
When asked how he altered the Tampa Bay metal landscape with his history with SAVATAGE, he replied:
“I play Savatage on my new radio show regularly. When those guys come on, I actually enjoy pushing my chair back through the five minutes that they’re on. Criss was just a beautiful person, a one-of-a-kind guy.
“Sh*t, I can’t believe I just made this connection, but he reminded me a lot of – and even looked a lot like – Chris Adler. They’re really friendly, gentle spirits, but boy, you put a guitar in Criss Oliva’s hand, and it’s like a Veg-O-Matic tiller.
“I hung out with Jon a lot, and we were up to a lot of no good back then, but whenever Criss came around, all of a sudden it wasn’t so much, ‘Who’s got the vodka?’ He was a serious player; really raised people’s game.
“Now, Al Pitrell was another guy who came into Megadeth under very difficult circumstances. He had to fill Marty Friedman’s shoes.
“Marty had a nervous breakdown and wanted to quit. He had told me that he wanted Megadeth to be slower and more alternative-sounding, and I just couldn’t turn the band any more inside-out than I had already.
“When Al showed up, it was really funny, because if you remember what Al looked like pre-Megadeth, and what he looks like now, he turned into a star with us. I went and put him through what we fondly call Megadeth Rock School 101, and we talked about what our job is, who we are, how we play, and what band we’re in, and I watched him change and start dressing real stylish.
“He was a really remarkable player. He was able to come in and assimilate a lot of Marty’s stuff, which is very difficult, and when we parted ways and he went on to Trans-Siberian Orchestra, I thought, this is really great because he’s going to be able to continue to shine. He deserves that kind of giant production. Al’s a star.
“I think Al’s happy with his life right now, and I’m happy for him.”