LAMB OF GOD kick off their “Into Oblivion” U.S. tour tomorrow and have released a video for “St. Catherine’s Wheel” ahead of the trek’s kick-off. The clip, directed by Meriel O’Connell, arrives as the band prepares to bring songs from the newly released album to stages across North America.
In what promises to be the heaviest trek of 2026, LAMB OF GOD will be joined on the “Into Oblivion” tour by KUBLAI KHAN TX, FIT FOR AN AUTOPSY, and SANGUISUGABOGG.
In a recent interview with Forbes, Randy Blythe reflected on the message behind the song and the importance of community: “The last line of ‘St. Catherine’s Wheel’ is ‘these savage days can’t break us’ and I use the term ‘us’ very specifically… I think community is going to become incredibly valuable in the next few years.”
Into Oblivion (Epic Records), LAMB OF GOD’s tenth studio album, arrived last week to widespread acclaim. In the lead-up to the release, the band appeared on the covers of Metal Hammer, Loudwire, and Kerrang!, with critics praising the album’s intensity and relevance. The Associated Press featured the album in their weekly highlights, calling it “10 tracks of ferocity,” while Brooklyn Vegan noted that “the band spends these 10 songs reminding the world that their reign as New Wave of American Heavy Metal giants is far from over,” and SPIN said the band is “channeling America’s unraveling into a ferocious new album.”
“Into Oblivion” North American tour dates:
15 March, 2026 – Philadelphia, PA – TLA (Theatre of The Living Arts) – SOLD OUT
17 March, 2026 – National Harbor, MD – The Theater at MGM National Harbor
19 March, 2026 – Montreal, QC – Bell Centre
20 March, 2026 – Toronto, ON – GCT Theatre – SOLD OUT
22 March, 2026 – Detroit, MI – Fox Theatre
24 March, 2026 – Minneapolis, MN – Armory
25 March, 2026 – Chicago, IL – Byline Bank Aragon Ballroom
27 March, 2026 – Denver, CO – Fillmore Auditorium – SOLD OUT
28 March, 2026 – Salt Lake City, UT – The Union Event Center
30 March, 2026 – Portland, OR – Theater of the Clouds
31 March, 2026 – Seattle, WA – WAMU Theater
1 April, 2026 – Vancouver, BC – PNE Forum
3 April, 2026 – San Francisco, CA – The Masonic – SOLD OUT
4 April, 2026 – Inglewood, CA – YouTube Theater
5 April, 2026 – Phoenix, AZ – Arizona Financial Theatre
7 April, 2026 – Albuquerque, NM – Revel Entertainment Center
10 April, 2026 – Austin, TX – Moody Amphitheater
11 April, 2026 – Irving, TX – The Pavilion at Toyota Music Factory
12 April, 2026 – Houston, TX – 713 Music Hall
14 April, 2026 – Nashville, TN – War Memorial Auditorium
15 April, 2026 – Atlanta, GA – Coca-Cola Roxy Theatre
16 April, 2026 – Raleigh, NC – Red Hat Amphitheater
18 April, 2026 – Reading, PA – Santander Arena
19 April, 2026 – Virginia Beach, VA – The Dome
21 April, 2026 – Buffalo, NY – Buffalo RiverWorks
23 April, 2026 – Brooklyn, NY – Brooklyn Paramount – SOLD OUT
25 April, 2026 – Uncasville, CT – Mohegan Sun Arena
26 April, 2026 – Boston, MA – MGM Music Hall at Fenway
Additional 2026 tour dates:
9 May, 2026 – Daytona Beach, FL – Sonic Temple Art & Music Festival
17 May, 2026 – Dayton, OH – Welcome to Rockville
20 May, 2026 – San Juan, Puerto Rico – Coliseo de Puerto Rico
24 July, 2026 – Istanbul, Turkey – Bonus Parkorman
25–27 July, 2026 – Plovdiv, Bulgaria – Hills of Rock
27–31 July, 2026 – Râşnov, Romania – Rockstadt Extreme Fest
1 August, 2026 – Wacken, Germany – Wacken Open Air
3 August, 2026 – Leipzig, Germany – Haus Auensee
5 August, 2026 – Lisbon, Portugal – Vagos Open Air
6–9 August, 2026 – Kortrijk, Belgium – Alcatraz Open Air
7 August, 2026 – Walton-on-Trent, UK – Bloodstock Open Air
11 August, 2026 – Copenhagen, Denmark – K.B. Hallen
12–16 August, 2026 – Dinkelsbühl, Germany – Summer Breeze
13–15 August, 2026 – Sulingen, Germany – Reload Festival
14–16 August, 2026 – Eindhoven, Netherlands – Dynamo Metalfest
30 October – 3 November, 2026 – Miami, FL – Headbangers Boat
Reeder, the visionary behind Metal Addicts, has transformed his lifelong passion for metal into a thriving online community for metal aficionados. As a fervent devotee of black metal, Reeder is captivated by its dark, atmospheric, and often unorthodox soundscapes.