
The release date for OPETH‘s fourteenth studio album, The Last Will and Testament, has been postponed to November 22 from the originally scheduled October 11 due to unexpected delays in the manufacturing process.
OPETH frontman Mikael Åkerfeldt comments: “We strive to deliver the highest quality product possible, and to achieve that, we need a bit more time to ensure the final release meets our standards. We understand this may come as a disappointment, but we sincerely appreciate your patience and continued support. We can’t wait to share this new music with you, and we are confident it will be worth the wait.”
The Last Will And Testament is a concept album set in the post-World War I era, unfolding the story of a wealthy, conservative patriarch whose last will and testament reveals shocking family secrets. The narrative weaves through the patriarch’s confessions, the reactions of his twin children, and the mysterious presence of a polio-ridden girl who the family have taken care of. The album begins with the reading of the father’s will in his mansion. Among those in attendance is a young girl, who, despite being an orphan and polio-ridden, has been raised by the family. Her presence at the will reading raises suspicions and questions among the twins.
The Last Will And Testament is the darkest and heaviest record OPETH has made in decades, and it is also the band’s most fearlessly progressive. A concept album recounting the reading of one recently deceased man’s will to an audience of his surviving family members, it brims with haunting melodrama, shocking revelations and some of the wildest and most unpredictable music that Åkerfeldt has ever written.
Mikael previously said about The Last Will And Testament: “I have become quite interested in family, and the idea that blood is not always thicker than water. I became interested in how family members can turn on each other. I saw an interview with this guy whose family had all turned against him, over the inheritance, so I wrote a song about that on the last record. The idea stuck with me, and then along came the TV show ‘Succession’, and I loved that series. That was in the back of my head too. It felt like an interesting topic that you could twist and turn a little bit.”

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