He talked about his band’s musical connection to METALLICA while discussing the evolution of double-bass drumming during a recent appearance on Dean Delray‘s “Let There Be Talk” podcast.
When interviewer brought up METALLICA‘s 1988 cut as an example of how the use of unison sextuplets between a wall of guitars and Lars Ulrich‘s aggressively EQ’d kick drums redefined the use of double-bass drums in metal, Hoglan said:
“I’ll flat out tell you, that comes from a DARK ANGEL song. That comes from ‘Darkness Descends’ [the title track of DARK ANGEL‘s 1986 album]. And it’s well known in the scene that as soon as [METALLICA] put out ‘One’, I got so many phone calls going, ‘You know those guys are ripping you off.'”
Hoglan continued: “We had [METALLICA‘s longtime] soundman, ‘Big’ Mick [Hughes], we had him on a tour, and METALLICA was up for the Grammy at the time, but it hadn’t been announced or anything yet.
“And I was joking that, ‘If they win the Grammy, I’m gonna sue.’ [I was] totally joking. And Mick was, like, ‘You should. They’ll probably give you a hundred grand to shut you up.’ And I was, like, ‘I’m not gonna become the pariah of the metal scene by suing METALLICA.’ Everybody’s stolen METALLICA riffs.”
Asked if he believes “One” was inspired by “Darkness Descends” in the drumming only or in “the musical part” as well, Hoglan responded: “The whole everything. The drum part, definitely. And that’s why I just thought it was kind of funny. The first line in the whole thing is, ‘Darkness…’ And it comes right from ‘Darkness Descends’, opening track on the second [DARK ANGEL] record. So, as soon as you hear it, you’d catch it.”
Gene went on to say he never brought up the similarity to Ulrich even though he had toured with METALLICA many years later when he was a member of FEAR FACTORY.