According to SLIPKNOT‘s co-founder and percussionist M. Shawn Crahan (also known as Clown), drummer Jay Weinberg‘s departure from the band was not voluntary. Clown clarified that Weinberg did not leave the band but was fired for “creative” reasons.
In a new interview with NME, Crahan said: “As far as Jay goes, what people need to know is Jay did not leave the band, and what I want to say is that we’re moving on. Like the statement said, we’re choosing to do something different. This space that we’re at right now is a very, very special space, thought about and generated mostly by the OGs [longstanding members Crahan, Corey Taylor, Mick Thomson, Sid Wilson and Jim Root].”
On November 5, SLIPKNOT cited a “creative decision” for parting ways with Weinberg, who had contributed to several successful albums during his tenure with the band. Despite the setback, Jay remains optimistic about his musical journey ahead.
Six days later, Weinberg has expressed his deep appreciation for his tenure with the band, stating that he cherishes the invaluable memories and profound experiences he gained as a member of the long-standing extreme metal group. He emphasizes that these moments are irreplaceable and hold immeasurable value in his life.
He wrote in a social media post: “For 19 years, my goals in music and art have always centered around maintaining some sort of forward motion. It feels a bit paradoxical at times to look in the rearview mirror, but some moments and milestones are significant enough to take pause and reflect.
“Today marks the 10th anniversary of becoming a part of something I grew up believing in. I don’t hold onto many mementos, but to me these represent a decade of focused and impassioned dedication to that forward movement. Throughout that time, I learned much about application, tenacity, and the satisfaction of committing to breaking through creative thresholds; reaching those artistic goals through constant, concentrated hard work — all fueled by true love of the music.
“In some respects, the person who wore the mask on the right and the person who wore the mask on the left feel like two completely different individuals — separated only by experience gained, miles traveled, friendships created, and a connection to the instrument strengthened and deepened so far beyond what I thought was possible.
“The memories and experiences that these four masks represent, I wouldn’t trade for the world. And I’m honored that you all have been there, every step of the way.
“So — here’s to you, the last 10 years, and wherever the next 10 years bring us.”
