FIVE FINGER DEATH PUNCH are being sued by their record label, Prospect Park, for failing to deliver a new record album and a greatest-hits collection. Now, the band members are being accused of “shamelessly attempting to cash in before the anticipated downfall of their addicted bandmate.”
In the lawsuit, obtained by Blabbermouth.net, the label makes the following claims:
“Regrettably, with the encouragement and assistance of their entertainment lawyer and business manager, the members of FFDP have unequivocally repudiated their contractual obligations to permit Prospect Park to determine the recording elements of a new record and a greatest hits record. In doing so, the members of FFDP are shamelessly attempting to cash in before the anticipated downfall of their addicted bandmate. By this action, Prospect Park seeks to hold FFDP true to its obligations under its written recording contract, thereby allowing Prospect Park to obtain the benefit of the bargain it struck in that agreement, and at the same time, to prevent the band from disregarding the health and safety of a bandmate and destroying itself.”
The lawsuit continues: “In rushing to record a new Fourth Album, FFDP is damaging itself and Prospect Park by cutting off the marketing and promotion and success of the Third Album, which is currently in its album cycle. Additionally, Prospect Park alleges on information and belief that FFDP is threatening to record the Fourth Album and Greatest Hits Masters, in violation of the clear provisions of the Recording Agreement, because it is concerned about the health and well-being of Moody, and in particular his ability to continue to fulfill his obligations as a member of FFDP and under the Recording Agreement. Based on FFDP‘s own assessment, Moody is unable to perform at the level required under Section 3.01 of the Recording Agreement for delivery of the Fourth Album’s master recordings or Greatest Hits Masters.”
“In recent months, members of FFDP and their representatives have repeatedly told Prospect Park of their extreme concern for the health and well-being of Moody, whose escalating substance abuse is placing both the future of FFDP, and indeed his life, at risk. FFDP‘s own words demonstrate this fact: (a) a November 28,2015 text that the ‘the writing is on the wall,’ and that, ‘it’s a matter of time before [Ivan] hits the wall — and once he does — it will be too late to sell’; (b) a December 3, 2015 email stating: ‘if Ivan does something stupid — dies…., goes away to jail — then the catalog is a bust — then we won’t be able to sell and we’ll be trying to salvage what we can — IF we can … so to me it’s imperative to make a move and sell]’; (c) a January 8, 2015 text referring to Ivan as a ‘ticking time bomb’ that was getting in the way of an “8 digit payday” for FFDP; (d) a January 19, 2016 text stating: ‘there is no sign of him slowing down both his health and his behavior is deteriorating — heaps of legal troubles and he is burning the candle at both ends.’; and (e) a January 19, 2016 text stating: ‘I don’t want to cry doomsday … but I don’t want to be saying I told you so either (as far as Ivan is concerned) — there is a moment we need to cash out the chips — betting one more hand is almost irresponsible at this point.” More recently, [the members of FIVE FINGER DEATH PUNCH] have notified [Prospect Park] that Moody is in an in-patient rehabilitation facility for an unknown duration of time.”
Prospect Park adds in the lawsuit: “On information and belief, Prospect Park alleges that the other members of FFDP seek to capitalize monetarily as soon as possible, at the expense of Moody‘s health and welfare, and the clear mandates contained in the Recording Agreement.
“In light of the foregoing, control over the Recording Elements is particularly important for at least the following reasons: (a) the precipitous decline in sales that occurred when Prospect Park acceded to the demands of FFDP in the recording process; (b) the fact that radio has told Prospect Park that the ‘sound’ of FFDP is getting stale, requiring greater creative input; (c) Prospect Park‘s determination that the Fourth Album is critical to the success of FFDP and the value of the catalog; (d) Prospect Park‘s disappointment that FFDP has failed to reach the Platinum and Multi-Platinum success of numerous of its previous artists; and (e) the real concerns about the health and well-being of Moody, many of which have been expressed in writing by his bandmates and representatives.”